Distortion of Sikh Faith in films calls for systemic approach by formulating guidelines, not just jerk reaction
Distortion of Sikh Faith in films calls for
systemic approach, not just jerk reaction
Ground Zero
Jagtar Singh
Yet another instance of distortion of Sikh Faith in a film has surfaced
this week.
It is not alleged distortion but distortion going by
the video of the song of the said film Yaarian 2, although the producer has
tried to refute this charge.
Provoked by this distortion, the Shiromani Gurdwara
Parbandhak Committee, the highest elected statutory body of the Sikhs that was
constituted to voice Sikh concerns, has lodged complaint against makers of
Yaarian 2.
As per the newspaper reports, seeking ban, the SGPC
has approached the Union Ministry of Information and Broadcasting.
In the official statement released by the producer that
has appeared in the papers, it has been denied that the actor concerned was
wearing a kirpan asserting it is Khukri that is carried by the Gurkhas.
The actor who is wearing it is clean-shaven and not a
Sikh.
The short-blade kirpan that the actor is carrying is
in a Gatra that is worn by the Sikhs to carry this small kirpan. The Gurkhas
don’t wear Gatra to carry Khukri that is also different in shape from Kirpan.
This is the issue at present that has generated
controversy.
And it is not for the first time that such issue has
cropped up.
It is being
made clear here that distortion of Sikh faith in films is different from
lampooning of Sikh characters at times.
One has to go to the roots of this issue.
The Hindu religion is not monolithic and there are several deities.
Moreover, nobody objects to shooting of even romantic scenes
near centres of Hindu religion and at times, even within the complex.
Remember the scene in Sholay in a village Shiva temple?
There are reasons for Sikhs raisng strong objections.
The Sikhs have made supreme sacrifices to maintain sanctity
of their places of Faith. Even inch of the Golden Temple (Darbar Sahib) complex
in Amritsar has blood of the Sikh martyrs. This is not the only reason.
The issue is how to address such concerns.
It is for the SGPC to take the initiative as custodian
of this Faith.
Till a few years ago, even a primer educating the
non-Sikhs about this religion was not available in English. One can’t say
whether this basic step has been taken so far or not.
There are no dos and don’ts for the mass media. There
are no guidelines in black and white for film world.
The SGPC should set up a committee of Sikh scholars to
prepare the draft for this purpose. The language must be vetted so that people
in film industry can understand the issues rather than using the religious terminology.
Once finalized, the guidelines should be first
released in Mumbai to the film industry followed by Delhi.
In the absence of guidelines, such issues would
continue to crop up.
Of course, it is not just in case of Hindu religion
that liberties are taken by the film world.
A film like Da Vinci Code can’t be produced in India
that concern private life of Jesus Christ.
It is pertinent to recall that earlier, some film unit
had tried to shoot in the plaza in front of the main entrance of the Golden
Temple.
Scenes are shot of characters worshipping pictures of
the Sikh Gurus despite the fact that Sikh Faith is opposed to the idol worship.
And such violations are too frequent and are ignored
even by the SGPC and other Sikh institutions.
Such distortions have creeped in at several levels.
The issue is complex but the beginning should be made
by the SGPC by preparing guidelines for the film makers as the first step. It
calls for systemic approach.
Lodging complaint with the police is not the answer. It is just jerk reaction.
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